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Plainly Bulletin

Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film is in British and Irish theaters from November 17.

By

Anthony Clark

Maya Chen is an award-winning journalist with over a decade of experience covering international politics and social issues.

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